![]() This leads me back to my original question. So your solution is nice but it clearly hinges on having a very expensive sequencer that has a multi year waiting list. And yea the cirklon is super tight and can clock everything but how many ppl have a cirklon? Not many. I too had a cirklon and a usamo combo for a while and switched to the multiclock because of the issues i had. If the Usamo works for you that is awesome, but for me that was the case for the above reasons. The Multiclock does so many things to keep my beats super tight across all the different types of sync - MIDI, DIN, Analog I use them all - and once you try shifting the timing of the tracks just. I have been down both paths and for my studio it is no contest and worth the extra money. The Midiclock was my original interest in finding ERM, but when they released the Multiclock, I had to have it and now I can't live without it. The erm plugin is rock solid in ableton and never hiccups or crashes for me. monomachine, blofeld, ob6, bim, biscuit, and rytm. The erm has an onboard user interface that i can quickly adjust for latency. so i’m thinking of getting a multiclock to clock the following things. This is excellent for portable live jam syncing. The erm has 4 outputs so i can clock 4 pieces of hardware directly with no thru device if needed. The erm sends midi out along with clock so i can send that midi from ableton into my sequencer of choice and into my synths. No finnicky dial needs to be fine tuned on the erm, it works out of the box with about any interface. Also noted by os on his compatibility site. Usamo is not consistently sending clock out of my rme interface and constantly requires fine tuning to get close. ![]() Not sure on that one but its never been resolved thT im aware of. It is a known issue and Os says its an ableton thing. I've no interest in clones, but I do seem to enjoy synths inspired by past synths but that provide a novel interpretation of them.The usamo plugin fails to start in ableton consistently after i hit a track count of around 20. the sound! And it has no plugin equivalent. The OB-6 isn't as MIDI CC friendly (requires NRPNs or some tricky workarounds), but. It has everything mapped to MIDI CCs, presets, sequencer, etc. E-RM, ACME-4, expert sleepers, Innerclock) require the DAW to be the master clock. But I did get an SE-02, heavily inspired by the Model D, but also rather different in character and with no equivalent in plugins. All of the sample-accurate midi sync boxes (e.g. For example, I'd never get a Model D or a Prophet 5 rev3 and some others because the plugins are 90%+ identical. ![]() Hardware should, in my personal view, provide a type of sound you cannot get within a plugin. And the Digitone actually has an amazing plugin interface. ![]() I went further, and use a USAMO to clock them (ERM is on my wishlist, but that's a pricey and niche addition for a hobby) to tighten them up even further and act more like a plugin. On the flip side, I'd be intimidated and uncomfortable being surrounded by walls of hardware.īut, like you, I specifically chose synths that I could tightly integrate via MIDI and that have presets. Plus there's something tool-like for this human about turning dials and moving sliders than moving a mouse. to include it, I now always highly recommend one, because it requires a different way of working - and that can be liberating and get creativity un-stuck by coming at something a different way. Click to expand.If people can afford a hardware synth and have the space etc.
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